Okay, so while my interest in Asia is not primarily romantic (although I did get to Korea by following a girlfriend), I admit that it’s something of a stereotypical pattern: cf. this post on Overheard in New York.
And while my obsession isn’t romantic, it’s definitely Romantic. In trying to trace the roots of my interest Asia, I’ve come to believe that the English Romantic poets deserve much of the credit. Poems like Shelley’s Ozymandias, Coleridge’s Rime of the Ancient Mariner, and especially his Kubla Khan, gave me a taste for the Exotic East. So yes, I was thoroughly Orientalized. I’m not sure this is so terrible as I was led to believe in college. After all, these poets were passionately interested in the East, which is why they attempted to reckon with the aspects of the East that they found most different from their own world. This strikes me as a fundamentally sane approach — far more sane than it would have been to try to catalog what East and West had in common, although that effort became necessary as time went on.
And by the way, after you’ve reread Coleridge’s Kubla Khan, take a look at the source material, from the straightforward writings of Marco Polo:
CHAPTER LXI.
OF THE CITY OF CHANDU, AND THE KAAN’S PALACE THERE.
And when you have ridden three days from the city last mentioned, between north-east and north, you come to a city called CHANDU [Xanadu], which was built by the Kaan now reigning. There is at this place a very fine marble Palace, the rooms of which are all gilt and painted with figures of men and beasts and birds, and with a variety of trees and flowers, all executed with such exquisite art that you regard them with delight and astonishment.
Round this Palace a wall is built, inclosing a compass of 16 miles, and inside the Park there are fountains and rivers and brooks, and beautiful meadows, with all kinds of wild animals (excluding such as are of ferocious nature), which the Emperor has procured and placed there to supply food for his gerfalcons and hawks, which he keeps there in mew. Of these there are more than 200 gerfalcons alone, without reckoning the other hawks. The Kaan himself goes every week to see his birds sitting in mew, and sometimes he rides through the park with a leopard behind him on his horse’s croup; and then if he sees any animal that takes his fancy, he slips his leopard at it, and the game when taken is made over to feed the hawks in mew. This he does for diversion.
Moreover [at a spot in the Park where there is a charming wood] he has another Palace built of cane, of which I must give you a description. It is gilt all over, and most elaborately finished inside. [It is stayed on gilt and lackered columns, on each of which is a dragon all gilt, the tail of which is attached to the column whilst the head supports the architrave, and the claws likewise are stretched out right and left to support the architrave.] The roof, like the rest, is formed of canes, covered with a varnish so strong and excellent that no amount of rain will rot them. These canes are a good 3 palms in girth, and from 10 to 15 paces in length. [They are cut across at each knot, and then the pieces are split so as to form from each two hollow tiles, and with these the house is roofed; only every such tile of cane has to be nailed down to prevent the wind from lifting it.] In short, the whole Palace is built of these canes, which (I may mention) serve also for a great variety of other useful purposes. The construction of the Palace is so devised that it can be taken down and put up again with great celerity; and it can all be taken to pieces and removed whithersoever the Emperor may command. When erected, it is braced [against mishaps from the wind] by more than 200 cords of silk.
The Lord abides at this Park of his, dwelling sometimes in the Marble Palace and sometimes in the Cane Palace for three months of the year, to wit, June, July, and August; preferring this residence because it is by no means hot; in fact it is a very cool place. When the 28th day of [the Moon of] August arrives he takes his departure, and the Cane Palace is taken to pieces. But I must tell you what happens when he goes away from this Palace every year on the 28th of the August [Moon]….
But I must now tell you a strange thing that hitherto I have forgotten to mention. During the three months of every year that the Lord resides at that place, if it should happen to be bad weather, there are certain crafty enchanters and astrologers in his train, who are such adepts in necromancy and the diabolic arts, that they are able to prevent any cloud or storm from passing over the spot on which the Emperor’s Palace stands. The sorcerers who do this are called TEBET and KESIMUR, which are the names of two nations of Idolaters. Whatever they do in this way is by the help of the Devil, but they make those people believe that it is compassed by dint of their own sanctity and the help of God….
There is another marvel performed by those BACSI, of whom I have been speaking as knowing so many enchantments. For when the Great Kaan is at his capital and in his great Palace, seated at his table, which stands on a platform some eight cubits above the ground, his cups are set before him [on a great buffet] in the middle of the hall pavement, at a distance of some ten paces from his table, and filled with wine, or other good spiced liquor such as they use. Now when the Lord desires to drink, these enchanters by the power of their enchantments cause the cups to move from their place without being touched by anybody, and to present themselves to the Emperor! This every one present may witness, and there are ofttimes more than 10,000 persons thus present. ‘Tis a truth and no lie! and so will tell you the sages of our own country who understand necromancy, for they also can perform it.