“Abracadabra” from Brown Eyed Girls is the first bit of Korean pop culture I’ve happened across that makes explicit reference to either BDSM or female bisexuality. (It’s much more common to see sadomasochism couched in a “horror” context, which makes it more acceptable.) It’s a sexy video, and not just a cutesy pantomime of American sexy.
Back in 2002, Korea was not sexy or cool. It really wanted to be cool, but it just wasn’t.
I had a friend who was teaching in Japan at the time, and she reminded me that Japan used to be the same way. Back in the 80s, Japan was Mr. Miyagi and the dorky car executives in Gung Ho. And then one day, somehow Japan was cool. It was weird techno and Cibo Matto and tentacle porn, and those cheesy anime shows we used to watch were suddenly part of a vibrant Asian subculture.
When I wondered whether Korea would turn a similar corner, I saw a few things holding it back, but mostly it came down to prudishness and conservatism. Where Japan has a long tradition of frankly bizarre erotica and exuberantly weird subcultures, Korea’s long-reigning Joseon Dynasty emphasized Confucian values of propriety, frugality and restraint. And Korea today is home to a large and passionate community of devout Protestant Christians. Also, Korea doesn’t really do irony, and irony seems crucial to finding your way into the hearts of American hipsters.
Even so, the Hallyu, or Korean Wave, has managed to spread Korean pop culture across Asia in recent years. Compared with a stagnant, aging Japan and a China where censorship still rules, Korean culture can seem downright (dare I say it?) dynamic.
Will it catch on in the US? And if it does, where in our culture will it fit? I don’t know, but I do know that Korea continues to surprise me.