Java

Phoenix, Arizona, United States

After Songkran, I headed down to Phuket for Passover, and then on to Bali, both of which I’ve previously written about. The latter part of my trip to Bali with Leander involved renting a car and driving around the island on some terrible roads, first up to the mountains, then around to the beaches in the southwest, where the waves and rip currents are fierce and dangerous.

Tinderizing Jogja

Yogyakarta, pronounced Jogjakarta (photos), is known as the heart of Javanese culture. Leander and I decided to spend a few days there, but we had no idea that the day we were arriving was also a Muslim holiday that created a long weekend, drawing zillions of local visitors from nearby Jakarta. We were barely able to find a hotel room to share — two rooms at the same hotel was impossible by the time we looked — and the streets were swamped with giant crowds.

Overwhelmed by the sheer number of people, we put off hitting the major tourist attractions until the weekend was over. Instead, we pressed through the hordes on Malioboro, the main thoroughfare, and looked at Jogja’s endless batik shops. A friendly guy on the street lured us to a batik gallery with talk of a one-day art exhibition, and it was a scam of a sort, but the batik art was actually lovely, and I ended up buying several pieces, and then we went to lunch with a group of Koreans who’d been lured there in exactly the same way.

Unsure of what else to do with ourselves, we each got on Tinder and started looking for locals to meet. That might sound weird if you’ve only used Tinder in the West, and only as a tool for hooking up. In Asia, though, we’d both found it a useful way to meet local people socially. And, yeah, also to hook up. But the first thing was just to meet some people who could help us navigate the strange chaos we’d landed in.

We first met a young woman who was studying tourism at the local university, and she brought along a friend in a hijab. It was my first Tinder date that ever paused for a prayer break in a musholla. Later on, we went to the sprawling home of an older woman, a designer and descendant of the royal family of neighboring Solo, who introduced us to her flirty transgender friend in short-shorts, but didn’t introduce us to the white guy we saw wandering around in the back of her house. The whole scene had a weird vibe, like the parts of The Big Lebowski with Julianne Moore and her giggling friend — but not so weird that we didn’t go back the next night for dinner. After that, we connected with a hilarious young woman — another designer, this one a maker of leather handbags — who claimed to be from Neptune (not very seriously) and who told us about one of the oddest tourist attractions I visited in all of Southeast Asia.

Chicken Church

If you’re in Jogja, there are a couple sights in the surrounding area that are musts: Borobudur (photos), the world’s largest Buddhist temple, and Prambanan (photos), a spectacular Hindu temple complex, rich with gorgeous reliefs, that also serves as the backdrop for evening performances of the Ramayana Ballet.

And then there’s the Chicken Church, which just might be the worst building I’ve ever seen.

The Gereja Ayam, or Chicken Church (no relation to Church’s Chicken) is neither a chicken nor a church. It’s a multidenomenational prayer hall, meant to be in the shape of a dove. The whole thing is the mad vision of a local Muslim man, who spent years trying to get this thing built until his wife finally made him stop.

The unfinished building is a construction nightmare. The sections of the tail are all out of proportion, the concrete work is terrible, rebar sticks out at all kinds of random places. You can take rickety wooden stairs up to the inside of the head — views from the beak are spectacular — and then to the top of the head.

But it gets weirder.

For a long time it was abandoned, but when we arrived, there was a group of deaf mutes at work on the place. They directed us to the basement, a warren of terrifying cave rooms whose purpose was obscure. I read somewhere, though, that drug addicted teenagers had been taken to these cells for reprogramming, which sounds creepy as hell.

Enjoying Jogja

Once the crowds had gone back to their regular lives, Yogyakarta reverted to the sort of place that appeals to tourists from abroad. We spent our last couple of days exploring the town itself, with its many murals and Dutch colonial buildings, and soaking up gamelan performances at the palace.

Jogja is a quirky place that sees far fewer foreign tourists than, say, Bali. Groups of tiny women in hijabs kept wanting to take pictures with Leander, who’s tall and blond. The tourist shops sold T-shirts with puns only Indonesians would understand. And the smaller streets and alleyways were full of old homes and bird cages, which our Neptunian friend explained were popular because the local people enjoy birdsong.

I liked that Jogja felt like nowhere else I’d been: not mainland Southeast Asia, not Bali, not Malaysia. After Jogja, it was just Singapore, which I knew would be easy, and then a short stay in Bangkok. After many months of travel, Jogja was my final step into the unknown, and I’m glad I went, rounding things out with one last dose of disconcerting strangeness.

Bottles in bags

Jogja has, I think, dreams of becoming more than it is: a tech center, perhaps, or a global tourism destination. These goals seem quixotic under the circumstances. Tech centers tend not to get established in countries that don’t let in Israeli passports. And as for becoming an international tourist hub, well, their airport — and airport staff — need work.

As we entered the airport to fly back to Bali — Leander to stay a bit longer, myself to catch a flight to Singapore the next morning — the security staff at the baggage X-ray stopped Leander to ask if he was carrying any bottles. After some digging, he produced three flasks of cheap liquor, each picked up in a different country along his travels. The guards declared that he could only carry two with him. At that point, I stepped in and asked if I could take the third. No, I was told. It was only two bottles per party, not per person.

“Oh,” I said. “I understand. Enjoy!”

If you want to be a major tourist destination, you can’t be stealing liquor from people’s bags at the airport.

 

Wet Hot Thai New Year

Phoenix, Arizona, United States

After Northern Vietnam, I made a return trip to Thailand to see Tam, my Thai girlfriend, and to experience Songkran, the Thai new year festival, in her home region of Isan.

Morocco to Switzerland

In my very first week in Bangkok, I met a local who invited me to a street concert and charity fundraiser put on by the Apache Motorcycle Club (photos). I had not come to Southeast Asia in search of biker gangs named after American Indian tribes. But I had absorbed enough critical theory to be suspicious of my own ideas of the authentic — temples, Buddhas, rice fields, native garb — and I was grateful to be offered a window into how real, actual Thai people lived their real, actual lives. Bangkokians dressing up in leather vests and riding motorbikes and playing electric guitars to raise money for a good cause is at least as authentic as Americans dressing up like Japanese anime characters at Comicon.

Nevertheless, it would probably not have occurred to me to visit the Swiss Sheep Farm in Cha-an (photos) or to stay at a Moroccan-themed hotel in Hua Hin (photos), a beach town on the Gulf of Thailand that’s a popular getaway from Bangkok. I would probably have visited some more temples and stayed somewhere Thai-themed. But Tam’s whole life is Thai-themed, and she needed one more night of teak walls and pad thai about as much as my American readers need to visit a suburban mall and eat french fries. So instead we lived like Thai people, which is to say that we did exotically un-Thai things with our leisure time.

And then we got up early for the sunrise over the beach, and to my surprise, here in this resort town, monks were walking along the sand, collecting alms in silver bowls, much as they do more famously in Luang Prabang. We were still in Thailand, and it still had the power to surprise and delight.

Pardon me while I powder your nose (photos)

All across Eurasia and its offshoots, people gather together in autumn festivals of light, where the atmosphere is sacred and familial: Christmas, Diwali. And then, come spring, they go nuts: Carnival, Mardi Gras, Holi. In Thailand, these seasonal holidays are Loi Krathong and Songkran, the Thai new year, celebrated when the temperatures soar but the rains haven’t yet come.

To  celebrate Songkran, Tam and I headed to the rapidly developing town of Khon Kaen, the biggest city and home of the largest university in the rapidly developing northeastern Isan region. Long a backwater full of rice farmers who speak a dialect closer to Lao than Bangkok Thai, Isan has been going through a tech boom, and stylish new malls have sprung up along the wide avenues in the center of town.

Little of what goes on during Songkran in Khon Kaen feels especially traditional. People wear bright flower print shirts and plastic goggles and waterproof pouches for their cell phones, and they tote bulbous water guns as they navigate the crowded streets from one amplified dance party to another. The main things you do are shoot water guns at each other, dump water on each other with buckets, point hoses at each other, wipe each other’s faces with talcum powder, and dance to very loud music. The water play is a sane response to the crazy-making heat — it was over 40 degrees every day we were there — and also a kind of plea to the gods for a good rainy season. Thailand was in the midst of a long drought, and there were government calls to limit the water play, but they seemed to have little impact on what went on in Khon Kaen.

The talcum powder is a peculiar phenomenon. People walk up to you and gently wipe it on your face, often while apologizing. In Thailand, you never just touch someone’s face like that, so it’s the violation of a taboo. Boys would reach out to touch pretty girls’ faces, teenagers would wipe talcum powder on patient police officers and soldiers, and lots of people seemed to want to touch a bearded foreign face. There was a gentleness and intimacy to it, a very Thai-feeling approach to the fleshly side of carnival.

During the days, when we weren’t indoors hiding from the heat, we walked around town to visit some of the many Buddhist temples. Maybe the most traditional part of Songkran in Khon Kaen is the washing of Buddha statues, everywhere from the town square to temples to the entrance of the biggest mall. At one temple, an impressive pulley system raised buckets of water from the ground to the top of a towering chedi, then dumped them out.

I joined in the washing, and at first I was just pouring cups of water right on each Buddha’s head. Someone gently pointed out that I should be pouring the water in the Buddha’s shoulder instead, and that made intuitive sense. This was, after all, a gesture of respect, not the ice bucket challenge.

But the real partying began when the sun began to sink. The main street was lined with stages set up by corporate sponsors, each one blasting the latest global techno hits from tall stacks of speakers, or presenting a local rock band, with much handing out of corporate swag. My favorite was the local high school kids playing pretty awesome ska at a stage set up by an organization promoting an alcohol-free Songkran.  At one end of the road was the main stage. Each evening would start with some boring speeches by politicians. Then came an organized human wave up and down the main avenue, its progress videoed by swooping drones. The wave would climax in fireworks and the emergence of one of Thailand’s bigger rock bands.

Off the main street, there was an area set up for the old folks to dance their old dances, but even then, the music was electrified, and the feel was retro rather than traditional: rockin’ to the oldies, not performing the ancient folkways. The partying got looser and wilder on the streets that angled off the main plaza. Down the pub street, people drank, danced in dense packs under flowing hoses, and generally let loose, while pickup trucks with barrels of water and crowds of splashing revelers crawled along in the traffic.

At times, this could all get exhausting and overwhelming. Hot as it was, it was still rough getting cups of ice water tossed on us over and over. The crowds could become claustrophobic, the revelry taking on a menacing edge as hand after hand reached out to touch my cheeks. But that’s part of the point of a carnival. You want to feel like everything’s a little bit out of control. And for three days in Khon Kaen, in the wilting heat and the crazy wet, we danced in the streets and let the festival carry us with its wild energy.

 

No Place Like Home

Brooklyn, NY, USA

Walking over the Manhattan Bridge alone in the rain in the evening, I felt melancholy and nostalgic, but tinged with something sharper: fear, maybe, not of anything in the present — New York is not the scary place it was when I first moved here in 1993 — but of an uncertain future.

I’ve come back to New York, I now realize, because I wanted to come home. For six long months, I moved every few days to some new place. I was always somewhere strange, with everything unknown and to be figured out: how transport works, what to see, where the good restaurants are, how to do laundry, where to get cash, how to say hello and thank you. Even Phoenix, my current US address, is a place I don’t know well, where I navigate by GPS.

New York is different. On my first day, I had some time to kill in Midtown, and I knew exactly where to go — Bryant Park — and when a bus rolled by on Fifth Avenue, I knew exactly how to jump on it. While sitting in the park, when I felt like writing, I knew that Kinokuniya was across the street, so I could go there to buy a notebook. In NYC, I know where things are. I know how things work.

Still, if NYC is more familiar than anywhere else, it’s no longer home. I can’t go back to my apartment, and I can’t go back to my office, my two landing pads when I lived here. And I’m floating free of purpose or connection: I don’t have a job, I’m not looking for a job, I’m not going to school. Nor am I a tourist, out to see New York’s cultural institutions and landmarks. I’m just here. I’m visiting friends, with the uncomfortable awareness that the threads that connect us will fray in the coming years, that this is perhaps the last time I will see each of these people, or the last time in a while, and that, try as we might, we will mostly drift apart, separated by oceans and continents.

I am old enough now, at 41, to understand the passage of adult time. I have lived out of the Bay Area longer than I lived in it, and it no longer feels like home. I know very few people there, and when I go back, it’s just not the place I grew up. That place is gone, erased by time and change. So is the New York City I first came to in 1993, but I was part of the change; I was here as neighborhoods transformed, buildings came down or went up, new laws changed the landscape (remember smoke in bars and nightclubs?). It’s like aging: you notice you’re older, but it happens day by day. I’m not the same person I was in 1993, but I was with me every day between there and here.

Now New York will go on changing without me. I’ll come back in five years, know in my bones that Kinokuniya is right next to Bryant Park, and be startled to discover that it’s moved downtown. Or that Metrocards have been replaced. (I was already thrown by Trash and Vaudeville‘s move from its old St. Mark’s Place home, and pleased to discover the new public Wi-Fi being tested around the city.) New buildings will go up, and no one will tell me. Friends will move away, and I won’t replace them with new New York friends.

All of this might feel less melancholy once I have a new home. Right now, New York is the home I picture, and it’s not home anymore, but there’s not yet a picture in my head of my Seoul home. There will be. I will have a street that feels like my street, an apartment with my stuff in it, friends, patterns, regular places. That’s coming soon. But for the moment, I’m in the curious position of feeling homesick for the place where I am.

Northern Vietnam

Phoenix, Arizona, United States

Out beyond Hanoi are some of the most beautiful places in Southeast Asia: the dramatic karsts rising from the sea in Halong Bay, the mysterious grottoes of Ninh Binh, and the terraced rice fields of the Tonkinese Alps at Sapa.

Halong Bay (photos)

I had my doubts about Halong Bay. I’d been hearing about it since long before I left home, but by the time I got there, I’d already spent months traveling among the limestone karst mountains of Southeast Asia. I’d been in caves in Thailand and Malaysia and Myanmar, seen the peaks that loom over the Nam Ou River and Vangvieng in Laos. After all that, would Halong Bay live up to its reputation?

Yes.

Despite cloudy skies and choppy water, and despite a fair amount of trash that floats in on the currents, Halong Bay was breathtaking. Like Yosemite or Bryce Canyon, it’s one of those places where nature has carved rock into improbable shapes, dramatic even by the standards of Southeast Asian limestone karst. And because the tides undercut and erode the peaks, it sometimes seems as if these strange, upthrust islands are hovering just above the water.

I picked a tour operator recommended by the Lonely Planet and spent three days out in Halong Bay, staying two nights on a private island, where we gathered around a fire in the evenings. (There was also, alas, techno.) The water was choppy and there was heavy mist in the evenings and mornings, but that just deepened the feeling that I had wandered out of normal reality and into some mysterious edgeland. At night, from our island, we could see the lights of Cat Ba City — a small tourist town, really — blurred and fuzzed in the salt fog. During the day, we floated in among the folds and curves of the dozens of islands that make up this strange landscape, passing old fishing villages that the government hasn’t yet gotten around to dismantling. And on Cat Ba Island, which dominates the bay, we sailed into ports full of fishing boats and small paddle-driven transports steered by strong-armed women. As we made our way at last out of the bay and back to the mainland, I leaned on the weatherbeaten wooden dragon at the prow of our boat and wished I could stay a bit longer.

Grottoes and Lottos

Photos:

South of Hanoi is a dumpy little city called Ninh Binh, which is surrounded by some of Vietnam’s most spectacular scenery: karsts again, this time looming up out of riverine deltas and rice fields. Unlike Halong Bay, Ninh Binh isn’t all that popular with Western tourists, though I don’t know why. It’s lovely and it’s close to Hanoi. Still, most of the other tourists we saw were either Vietnamese or Chinese.

Extraordinary as the UNESCO World Heritage Trang An grottoes are, I think I liked the little-visited Van Long Nature Reserve even more. Parts of the new King Kong movie were filmed there, and you can see why. Shrouded in mist, spectacular limestone crags and cliffs loom over wetlands so still that you can see the whole landscape reflected in it, down to the reeds and river weeds, which form curious mirrored geometries as the light fades in the evening. That’s also the time when thousands upon thousands of cranes make their way back from wherever it is cranes go in the day, pause for a bit of after-work social time at one broad stand of trees, and then wheel off in V-formation toward their dwellings on the cliffs.

On our boat tour of the Trang An grottoes, we learned about the curious system by which the boat business is managed. There are hundreds of identical metal rowboats lined up at the entrance to the complex, but none of the touts you’d expect at such a place.

Instead, the boats run on a kind of lottery system. Each household in the surrounding villages gets a number, and when your number is close to coming up, your household can send someone — usually an older woman — to wait for tourists and earn some extra income. If you’re lucky, you’ll arrive on a day with plenty of tourists and go out right away; if you’re not, you could have to arrive at dawn to make sure you don’t miss an early-arriving bus. Miss your turn, and you might have to wait three or four weeks for another shot. The money earned from a tour isn’t much, but supposedly each family brings in more cash than they used to when they were doing subsistence farming on what is now parkland. (Something similar was in effect at the Van Long Nature Reserve as well, though there the government hadn’t provided the boats, so the women were tasked with rowing tourists about in bamboo boats lined with concrete, which are much heavier.)

 

The village lottery system for boat tours is a kind of obscure, small-scale, local communism that’s still around. Indeed, it was put in place recently, long after Vietnam as a whole went over to a capitalist economy with private ownership. I don’t know enough to say whether it works or not. Do the households really get more income than they used to? Is there a black market for lottery slots? Is it unfair to people who happen to be from the wrong village, and are thus left out of the spoils? Still, it’s an interesting example of collective ownership of a shared resource. And from a tourist’s point of view, it’s a relief not to be assaulted by a mob of screaming touts, which I assume is a pretty grim experience for the touts too. In the Ninh Binh system, everyone gets a turn.

Fog and Hmong (photos)

In Sapa, not everyone gets a turn.

Sapa, 1500 meters up in the Tonkinese Alps northeast of Hanoi, is famous for spectacular views of terraced rice fields, and for the dense fog that blocks the view. If, as I did, you grew up in or around San Francisco, you’re familiar with this kind of fog. It’s thick, almost tactile. Its tendrils crawl in among the folds of the landscape, and suddenly you find yourself wrapped in a thick blanket that obscures everything that’s not right in front of you.

When it broke, though, the views down the mountainsides were extraordinary, especially when you gave a thought to how much work it must have taken to carve whole mountains into terraces, and to maintain those terraces year after year. The people who do it are the Hmong, and they do it to grow rice for themselves. It’s subsistence farming as tourist attraction, and it fuels a whole small city of hotels, craft shops, restaurants, tour operators, motorbike rentals. Not one of those shops is owned by Hmong, at least according to one of my Hmong trekking guides (in this case, the trekking was nothing more than day hikes to local villages). The shops are all Vietnamese-owned. For the Hmong, the only cash income is from selling handicrafts in the villages or on the streets of Sapa, leading tours, or hosting homestays. That’s why Sapa was the only place in Vietnam where there were touts: a rush of women in tribal garb offering tours and lodging from the moment we stepped off the bus.

There’s a history of distrust between the Hmong and the Vietnamese. During the Vietnam War, the United States recruited Hmong to fight Vietnamese forces that were invading Laos, in what’s known as the Secret War. After the war, many Hmong fled to Thailand and the United States. Those who remained in Vietnam and Laos still face discrimination. A Lao tour guide told me a story about another guide who’d accidentally run over a Hmong woman’s chicken. He brought the chicken to the woman and asked, “Is this your chicken?” “No,” the woman supposedly replied, “my chicken is not flat.” The point of the story was that Hmong aren’t good at rational thinking.

I asked my guide whether life had improved for the Hmong in the past twenty years, and she allowed that it had. They go to school now, and can speak and read Vietnamese as well as Hmong. But going to university is nearly impossible, and so is going to a city like Hanoi to get a job, because you need “walking around money” just to survive, and the Hmong don’t have it.

On my last day, I rented a motorbike and hit the highway, cruising up over Tram Ton Pass, at 1900 meters. On the far side, the fog gives way to heat rising from the lowlands below, and the road begins to descend rapidly. Short on time and unsure how much my motorbike could handle, I turned back. I climbed up to a viewpoint where the winds were so fierce that I could barely stand, then made my way back down and rode again into town.

 

Hanoi

Phoenix, Arizona, United States

Photos:

Hanoi came as a shock after more than a month in sleepy Laos and underdeveloped Cambodia: the lights, the energy, the sophistication, the sheer density. For a city boy like me, it came as a relief.

Unlike Saigon, which feels sprawling and mostly modern, Hanoi has retained its Old Quarter, complete with narrow lanes, food stalls, grime, chickens in the street, and the sort of chaotic stew you find at the heart of premodern cities, from Jerusalem to Varanasi. The Old Quarter is not a museum, the way the historic parts of Hoi An or Malaysia’s Georgetown have become. Yes, there are tourists and hotels and souvenir and tour shops everywhere — including a daunting number of Sinh Tourist outfits, all trying to capitalize on the fame of the original — but there are also streets devoted to metal workshops, bamboo pole sales, and other things no tourist could possibly need. You can find yourself dodging sparks from an aluminum beam being cut in half as you walk to a famous banh mi shop. And the Old Quarter attracts not just foreign tourists, but locals and expats, who flock to its beer street for the crowded pubs and thumping nightclubs that spill out into the street.

Spirits in the city

On my first day, strolling past traditional weddings in the Old Quarter, I had the luck to stumble onto a lên đồng — a spirit mediumship ritual — at Bach Ma Temple, Hanoi’s oldest. The spirit medium sat at the center of it all, as her assistants changed her outfits for each dance, while the musicians sat off to the side. When she became a male spirit, she would take a shot of rice wine and a puff of a cigarette before beginning her performance. As she danced, at times she would throw money, and the spectators would lunge to grab whatever fell. The denominations were small, but the point was to gather the spiritual power associated with the cash.

Several people welcomed me, offered me a place to sit, gave me a free Diet Coke, and made me feel like it was OK to be there and watch. A young woman spoke a little English and offered to explain things to me, and she introduced me to an effeminate young man who would be dancing later. He wanted to take pictures with me, told me I was very handsome, and after a few minutes, he proposed marriage, which I gently declined.

Throughout the ritual, there was a surprising fluidity of gender roles. The lên đồng can go on for hours, so I left for a while, coming back at the time that my non-fiance said he’d be performing. He was one of several very queer-seeming drummers for a male dancer who was made up pretty much exactly as the female spirit medium had been earlier in the day.

Walking Hanoi

Away from the Old Quarter, Hanoi is a good walking city. I spent a fair amount of time just wandering: finding little street markets and temples away from the tourist areas, catching little bits of city life like a bunch of mall security guards doing pushups, discovering that the art college is next to the ministry of public security. Hanoi is the capital, with plenty of the signs and symbols of government: big houses for Communist officials, a Lenin statue, and of course Ho Chi Minh’s tomb. I tried twice to get into the tomb for a peek at the preserved remains of Uncle Ho, but I never managed it. It turns out that you have to get there very early, and not on a Saturday.

On one of my wanders, I sat down to watch some older men playing jainzi — a kind of kick volleyball, played with a feathered birdie — with impressive skill. I got to chatting with a young American who was as mesmerized as I was, and we spent the evening walking together, to art galleries and up past the opera house.

At some point we wandered over to the banks of the Red River. At least near the Old Quarter, Hanoi has not turned its riverfront into an attraction. To get there, you have to cross a highway and walk through a neglected little district of motorcycle shops and very old housing, past shrines for fishermen, and down to some sketchy restaurants and bars along the piers, where you can gaze out across the garbage-strewn reeds. It reminded me of what my Saigon friend had told me about her childhood, growing up in a shack down by the riverside there.

Balloons of fun

Later that night, the two of us met up with a couple of women I’d met the night before at a language-exchange Meetup. These two expats — one from Taiwan, the other a Chinese-Indonesian — more or less decided I was their friend for the duration of my visit, and they introduced me to a couple more friends of theirs: a German woman who was teaching at a German-language institute, a Vietnamese woman who’d spent time in America. Over the course of several days and nights — and punctuated by my trips out of Hanoi — we went out for Vietnamese food, Chinese food, clubbing in the Old Quarter, and Indian food and karaoke.Clubbing in Hanoi was a trip. It’s not generally my thing anywhere, and Hanoi’s clubs were packed but not all that impressive. The one thing that stood out, though, was how many people were sucking on balloons full of nitrous oxide. It seemed to be just a normal thing. I never saw anything like that anywhere else in Southeast Asia.

For the karaoke, we were joined by a Vietnamese-American friend I’d first met in Yangon, and then again in Saigon. It was nice, for a stretch, to feel like I was anchored somewhere and had an overlapping circle of friends. It’s how I hope things unfold when I arrive in Seoul, and it gave me confidence that I can make that happen.

Heading home

Bangkok, Thailand

It has been 201 days, 12 hours, and 50 minutes since I first landed in Bangkok, and now I’m headed home.

The long half-year in between has been an amazing journey. I’ve slept in 67 places (62 hotels, three home stays, a bus, and a jungle camp) spread across 55 locales in eight countries. I’ve been on 25 flights (not counting the ones in and out of Southeast Asia), crossed international borders 12 times, and ridden in countless buses, minibuses, taxis, tuk-tuks, private cars, rental cars, motor scooters, e-bikes, trucks, horse carts, becak, boats of all descriptions.

I’ve seen the temples of Angkor and Bagan, experienced the kecak in Bali, sailed among the karsts of Halong Bay. I’ve trekked in the jungles of Laos and climbed an Indonesian volcano at dawn. I’ve danced to chansons in a Saigon nightclub and to Filipino classic rock covers in Yangon and Dengue Fever live in Phnom Penh. I’ve shot an M-16 and an AK-47, slid down a waterfall, ridden a motorcycle in the cloud mists of the Tonkinese Alps, and come perilously close to stepping on a live cluster bomb detonator, but probably the most dangerous thing I’ve done was just swimming in the treacherous waves off Bali, which dashed me hard against the ocean floor a few times, and which regularly kill surfers.

I’ve made new friendships, most of them fleeting, a few that will probably last. I have hooked up, and I’ve even sort of fallen in love. Maybe more than once.

I have also wasted time, spent days doing stupid shit or just sitting around, been disappointed by attractions that didn’t amount to much, had crappy meals, argued with taxi drivers and laundresses, hung out at malls to kill time. I’ve gotten sick several times, never very interestingly; I am finishing things off with a cold that began in Indonesia, blossomed in Singapore, turned into a bad cough in Thailand, and is now coming with me to Incheon, Los Angeles, and Phoenix.

Maybe the most important thing that’s happened is that I’ve loosened up. I’ve never thought of myself as a prude or a scold, but I discovered in myself a surprising Protestant distrust of pleasure for its own sake. I think I’ve let that go, at least to an extent, and I know I’ve become less judgmental about the ways that other people find their bliss. Life is short. Have your fun.

In any case, for the past six months and change, I have moved to a new place every second or third day, on average. For six months. 

I’m ready for some longer durations.

Home is where your stuff is

I’m now headed home. Sort of. I’m on my way to Pheonix, Arizona, where my parents live. Home has always been where my parents live — my second, backup home, anyway — and the Phoenix house is also where all my stuff is. Still, I’ve never been there for more than 21 days at a stretch, and at this point I think I’ve spent more time in Thailand than in Phoenix on all my visits put together.

Nevertheless, it feels like home. It’s a place to come back to. A place to rest. To chill out, watch some Giants baseball with my parents while I fiddle with my travel photos on my new Mac, to do nothing much and feel no pressure to go see the local cave with the Buddha in it. In a couple weeks, I’ll probably head over to NYC to say hello to my friends there, but I haven’t yet worked out the details.

And I don’t have a new home yet, a place of my own. That’s still a bit ahead. by September, I’ll be creating a new life in Seoul. But for now, Phoenix is home, and I’m on my way.

Joining Samsung in Seoul

Yogyakarta, Java, Indonesia

I am thrilled to announce that I’ve accepted an offer from Samsung. Starting in September, I will be working in the Seoul office as a Senior Designer, helping to craft the user interface (UI) text for mobile devices.

Saying no to Samsung

The whole process with Samsung actually began a year ago, when they found me on LinkedIn and began recruiting me. At the time, I was still at Google, but I was nearing the end of my MA in Korean studies at Columbia and already planning a move to Seoul in the future. I went through the interview process, they made an offer. And I declined.

It wasn’t the right time. Yes, I wanted to move to Korea, but I had also been planning these six months in Southeast Asia for a long time. When I get to Korea, I want to settle there — to make it my long-term home. I didn’t want to find myself staring out the office window, wondering when I’d ever get the chance to go on this trip I’d been thinking about for so long.

I talked to my family about my decision, and my father passed on some words of wisdom from my grandfather, his father-in-law: “Money comes and goes, but you can’t make up time.” I went on the trip. I figured that if Samsung didn’t want me in a year, someone else would. I’d manage in Korea just fine.

Saying yes to Samsung

Well, a year passed, and the recruiter got back in touch. And this time, I was ready to say yes. After my longest stretch of time off since before nursery school, I’m ready to go back to work.

And I’m excited to work on mobile devices. My time here in Southeast Asia has given me a look at a part of the world where mobile is how people connect to the Internet, to each other, to the wider world. I’ve seen how important these devices are, and how important it can be to get the design right so that people can use their devices to the fullest.

My writing at Google was on specialized ads software. It reached thousands. What I do at Samsung will reach millions. Samsung sells more smartphones worldwide than anyone else. Making these phones even marginally better to use can have a vast impact.

I can’t wait.

 

 

Passing Over to Bali

Ubud, Bali, Indonesia

I’m in Bali, and it’s better.

Back in the 1990s, I went to a World Music Institute performance by a Balinese gamelan group at Symphony Space, in Manhattan. I probably went to the concert because every time I went into one of those global craft stores and asked about the thing I liked most, it was from Bali.

I’d never heard anything like it. The climax of the show was the kecak monkey dance, which blew my mind. Recordings can’t do justice to the weird ways that the sound traveled and shifted around the room as the dancers chanted in complex, interweaving patterns. Since then, I’ve dreamed of visiting Bali, to hear the music in the place it came from.

Tonight I lived that dream. I sat in the front row at the Ubud Palace and watched a performance of Balinese dance and gamelan music, performed at a high level. It was wonderful. It capped a day that also included a visit to a jungle full of monkeys and temples, a wander through galleries of Indonesian art and handicrafts, and a lunch overlooking a river. Then we went out and had a delicious Balinese dinner, followed by gelato made with local ingredients.

A new adventure

It’s good to be on a new adventure again. Indonesia is somewhere new: new currency, new food, new languages to reckon with. Bali is still culturally connected to other places I’ve been — shades of Myanmar and especially Malaysia — but it feels distinct too. The landscape is different, and so is the culture: no more karst mountains or reclining Buddhas.

My Dutch friend, Leander, and I will spend a couple more days here in Ubud, soaking up the culture and going on a pre-dawn hike to the top of a volcano. Then we’re hoping to rent a car and drive all over the island, going wherever the road and our whims take us.

It feels good to be doing something new again. Not only is this a good place to be right now, to refresh my Southeast Asia adventure; it’s also making me feel more positive about the new life I will be creating in a few months in South Korea. A night and a day in Bali has left me feeling refreshed and hopeful.

Seder in Phuket

Backing up a bit, I should note that the Chabad seder in Phuket was impressive: some 400 people, mostly Israelis, packed a big hall at the Novotel to celebrate Passover. There were more people at the Chabad House as well. (The seder was impressive, but Phuket was not; Patong Beach was my least favorite place in all of Thailand.)

I sat at the English-speaking table with Levi Shemtov, a remarkable young guy who’s buddies with Rabbi Shmuel Tiechtel from Chabad of ASU and runs a kosher restaurant in Uruguay, and I also sat next to a guy — Mark something — whose mom lives in Lucas Valley, and who has been to Chabad of Marin a few times, and who used to live in Phuket for about ten years.

I’m not very religious, but I’m grateful for what Chabad has done, which is to re-create a global network of synagogues and Jewish points of contact, something that existed across the world for centuries but was devastated during World War II. To put on a kosher seder for 400 people in Phuket is no easy feat! Indeed, the maror (bitter herbs) got held up by Thai customs, which in this case defeated Jewish customs. (Personally, I declared eggplant a bitter herb and made the blessing on that.)

The seder was what seders should be: joyous, chaotic, raucous, a confused muddle. The food was great and there was lots of it. It arrived in the wrong order. People stood up in groups for no apparent reason. Half the room was on Hallel while the other half was still eating. It was, in other words, like every good seder I’ve ever been to, writ large. And in Thailand.

The Beginning of the End

Patong Beach, Phuket, Thailand

Yesterday I bought my ticket home, and my heart broke a little.

It’s getting to be time. I’ve moved on average every 2.5 days for the last six months or so, and I’m tired. I’ve noticed it in small but telling ways: not bothering to blog about Northern Vietnam or Songkran, caring less about taking good photos, doing less exploring on my own and booking more package tours so I don’t have to figure it out.

Still, it hurt more than I expected to put a final date on this adventure, to cap it and say I’m going home. (I’ll be back in Phoenix on May 18.)

What hurts most is that I will be saying goodbye to someone I met at the very beginning of my trip. Someone who has become rather important to me, as it turns out. She’ll take me to the airport, and then maybe I won’t ever see her again. We always sort of knew that the day would come, but it’s none too comfy to see the date on the calendar.

Bali before bailing

Before that day comes, though, I still have one more big adventure to go: Indonesia and Singapore. Tomorrow I’m flying from Phuket to Bali, and I have 17 days to explore Indonesia. From there I’ll go to Singapore for four days, where I will meet up with my important Bangkok someone.

Altogether, that’s 21 days (plus two more at the end in Bangkok) — just two days less than I spent on my trips to Myanmar and to Laos, both of which felt like they went on for a good long time — possibly too long. So I’m not done. I have quite a bit to go.

But the end is on the horizon. The end of this adventure that has occupied my thinking for so long.

And then it will be time for new adventures. For some time in the US, a visit to NYC, and on to a new life in Korea. Much more to come.