Christmas Music that Doesn’t Suck

If you have ever been to a store in December in the United States (or a great many other countries), you have heard what I think of as the Retail Christmas Soundtrack: Last Christmas, All I Want for Christmas Is You, et. al. It’s mostly terrible. Even that John Lennon Christmas song is kind of terrible. Since I didn’t grow up celebrating Christmas, none of this stuff evokes childhood memories of gifts and treats. It just reminds me of sweating through my jacket in a long line in a dingy Duane-Reade or in the overcrowded, fluorescent-lit bowels of some now-defunct retail chain like Woolworth’s or Lechters.

To counter this, I’ve created a Google Play Music playlist of Christmas music that doesn’t suck.

It turns out there’s actually a lot of good Christmas music out there if you look a little, everything from jazz to soul to funk to folk to blues to reggae, some of it genuinely moving, some of it just fun. I’ve included stuff I think is actually worth listening to even if Christmas isn’t really your bag.

There’s the Nutcracker Suite, which is scientifically proven to be the best Christmas music there is. There’s a lot of jazz, like Oscar Peterson’s Christmas album and Ella Fitzgerald’s, which are good because everything Oscar or Ella ever did was good. There’s a lot of blues and a lot of soul, including James Brown’s weirdly compelling Christmas music. There’s that new John Legend album, which I like even though I don’t really like John Legend or Christmas music. There’s Chuck Berry. There’s Fiona Apple singing Frosty the Snowman. There is no Elvis, no Phil Spector, no Johnny Cash.

Alas, the playlist doesn’t include Duke Ellington’s Nutcracker Suite, which is my favorite Christmas album. It has disappeared from Google Play Music, but can be found on YouTube.  Sugar Rum Cherry, in particular, is amazing — Duke’s sexy, slinky take on the Dance of the Sugar Plum Fairy.

Anyway, here’s my little gift to those who have a Google Play Music subscription. Enjoy!

Christmas Music that Doesn’t Suck

Music After the Fall

Today I started reading Music After the Fall by Tim Rutherford-Johnson, a book about art music since 1989. I listened to Different Trains by Steve Reich, Piano Sonata No. 6 by Galina Ustvolskaya, Brain Forest by Merzbow, Kits Beach Soundwalk by Hildegard Westerkamp, and H’un (Lacerations): In Memoriam 1966-1976 by Bright Sheng

It feels good to engage with new music. Last week I saw the Silk Road Ensemble with Yo-Yo Ma perform here in Seoul, and I was especially moved by Kojiro Umezaki’s …seasons continue as if none of this had ever happened… and by Wu Tong’s merging of a Chinese folk song, sung and played on the sheng, with Yo-Yo Ma’s rendition of Bach’s Cello Suite No. 1 Prelude. Each piece combines the old and traditional with the modern, but in completely different ways: Umezaki through an ingenious and heartbreaking electronic deconstruction of the sound of the shakuhachi, and Ma and Wu through the juxtaposition of two older pieces, performed in fairly mainstream ways, to create a postmodern overlap.

As the weather turns cooler, it’s nice to know I’ve got a body of listening ahead of me, something to enjoy during the winter months when holing up at home is more appealing than venturing out.