Seoul Subway Randomizer Adventure #1: Hongje Station to Muakjae Station

In feng shui (pungsu in Korean) the ideal location has a mountain to the north and water to the south, providing protection from Siberian winter winds and an open avenue for summer monsoon rains. That’s why both Gyeongbokgung Palace and the presidential Blue House sit at the southern foot of Inwangsan Mountain, facing Cheonggyechon Stream.

On the ass end of Inwangsan, out beyond the perimeter of the old city walls, is the opposite sort of place. Gaemi Maeul (개미마울) — The Ant Village — gets its name from the tenacity and hard work of its 400 or so residents, who’ve been crawling up and down the steep slope to their shantytown since the end of the Korean War. It’s also, perhaps, a statement about their relative importance in Seoul’s grander schemes.

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The Ant Village from above.

Between a rock and a fast place

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Starting out at Hongje Station.

I came to The Ant Village on my first Seoul Subway Randomizer adventure, which began at Hongje Station on Line 7. My goal was to go look around in parts of Seoul I wouldn’t otherwise be likely to see, and Hongje was an excellent place to start.

Sandwiched between Inwangsan to the south and a highway to the north, Hongje has either fended off or been overlooked by the developers who’ve converted much of the surrounding area into especially soul-crushing variants of Korea’s ubiquitous vast apartment blocks. Its narrow, winding streets are still lined with the small brick apartment houses that Koreans call villas, and it looks as if no one has updated much of anything in the past forty years. Buildings and signs have old spellings — 자전차 (jajeoncha), an old word for bicycle, or a sad old apartment building called 만숀 (manshyon) instead of the more modern 만션 (manshyeon), the Konglish term so absurd it’s almost an insult.

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Faded bits of the past, with an old term for bicycle.
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Old apartments. The sign says Unjeon Mansion, or it used to anyway.
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An ancient restaurant.

My Korean friend and I made our way to Inwang Shijang, a traditional market that despite its typical array of Korean products — seafood, mystery twigs — had a torpid squalor that felt more like out-of-the-way markets in Vietnam or Myanmar than like anything I’ve seen before in Seoul. As we sat down for tteokbokki and fish cakes at one of the market stalls, my friend told me the place reminded her of her childhood in Daegu in the 1970s.

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Inwang Market.
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Inside the market.
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Some tteokbokki and odeng.

Up the ant hill

As the road began to climb, we came to the first of the old houses, an uneven concrete slab with a roof of corrugated metal. It’s the sort of thing you see on the outskirts of cities in developing countries all over the world, or in their neglected pockets — down by the river in Hanoi, say — and I have a Vietnamese friend who grew up in something similar in Saigon in the 1980s. But it was jarring to find this sort of house still operating as a going concern in Seoul in 2017, especially after starting the day in the LED-lit hypermodernity of Gangnam.

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An old house, still occupied.

I suppose, though, that I was just coming face-to-face with a concrete (pun intended) manifestation of the poverty I see every day and mostly ignore: the old woman who sits on the steps in Gangnam Station every day, selling gum when she’s not drifting off to sleep; the old folks limping along as they push their filthy old carts past the Porches and Rolls Royces, collecting garbage to recycle. Next to my posh Gangnam apartment complex is a dingy brick apartment house above a parking garage, junk piled up in the narrow verandas you can see from the street.

In Seoul, it’s the elderly who seem to end up destitute most often. In an economy that has modernized as quickly as South Korea’s, it’s inevitable that a good part of the older generation would be left behind. In what is now one of the best-educated and most technologically advanced countries in the world, those who grew up during the Korean War and its aftermath may not ever have gotten past sixth grade or developed the kinds of skills a modern economy demands. What’s not inevitable is South Korea’s minimal social spending, which is among the lowest of any developed country. The scandal and disarray engulfing Korea’s conservative party might be an opening for a new direction; for now, the ants are still part of Seoul society, scurrying along the margins and subsisting on scraps.

The Ant Village

The Ant Village proper is a peculiar hybrid. Built by people with nowhere else to go after the Korean War, the worst houses are old and poor and dangerous, makeshift and constructed to no code, heated with the old yeontan charcoal bricks that produce carbon monoxide and occasionally kill people in their sleep, as happened to one of my Korean friend’s high school classmates. (Draftiness could, I suppose, be a lifesaver.)

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Yeontan, an old system of charcoal heating.

But the residents — some of them, anyway — haven’t wanted to leave, and they’ve kept developers at bay, all while updating some of the homes into fairly plausible structures. Around 2010, some art students from the area got the idea of painting murals on the walls, and the village is now something of a tourist attraction, though the flowers and puppies are fading. And the neighborhood has not just electricity and bus service, but solar-powered street lamps and a new pavilion and residents with smart phones, not to mention government-issued wayfaring signs for visitors. Down the hill, the newly built middle school is actually pretty grand.

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Decorations on the Ant Village.
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Flowers on one of the sturdier houses.
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More flowers.
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Puppies!

As an outsider, it’s hard to know what to make of all this. What little information I have is gleaned from blogs. Who lives here now, and why? How poor are they? Is the ownership in dispute? What does the future hold? I have no idea, and I didn’t feel comfortable asking questions of the few residents we saw around. When you find yourself having a cheap holiday in other people’s misery, sometimes it’s better not to pry.

Tea at the temple

At its top, The Ant Village opens out onto the trails crisscrossing Inwangsan Mountain. Had we been feeling ambitious, we might have made the long hike up and over to the Jongno side of the mountain, descending into trendy Hyoja-dong. The sun and relative warmth were enticing, but it was already afternoon, and we decided instead to stick with our chosen neighborhood, walking through the woods, past an open view of Train Rock — it’s a big rectangular rock, basically — and down a long staircase to Hwanhuisa Temple.

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Train Rock.
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A frozen stream.
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A temple in the mountains.

As we approached, a group of women of a certain age were gathered out front, along with a Buddhist nun, all talking and laughing. I said hello, and they all cooed at how well I spoke Korean, something that used to happen a lot when I lived in Anyang, outside Seoul, sixteen years ago, but rarely happens now until I’ve at least demonstrated something beyond annyeong haseyo. It was another throwback, and a reminder that foreigners probably don’t get out this way all that often.

My friend noted the feminine touches to the temple — Dalmatian figurines and the like — and decided it must be run by nuns. Soothing piano music played from outdoor speakers, mingling with sound of the Korean-style wind chimes. As we sat and rested on a small pavilion, a woman brought us a tray of tea and tteok with marmalade. Later, as we looked for somewhere to return the tray, we heard more women’s laughter coming from inside the main building. We set the tray down inside a doorway and continued on.

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Tea at the temple.

A little further on we passed another small temple, then emerged from the mountain into one of those vast, dispiriting apartment complexes that dominate so much of the Korean landscape. Director Bong Joon-ho’s first film, Barking Dogs Never Bite, from 2000, centered on stunted lives in an apartment complex much like this one. It was, in material terms, a step up from the drafty, poorly built villas we’d seen earlier, but I could see how people might choose the human-scale lumpiness of life in The Ant Village, or down among the old brick villas, over this different sort of ant farm. Koreans seem to have recognized the grimness of life in these sorts of massive apartment blocks, and newer complexes tend to be made up of clusters of slender towers, with only a few apartments per floor and spaces in between the buildings.

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One of Seoul’s soul-crushing apartment blocks.

At last we found our way back to the main street, after passing a small English school that made me feel sorry for whatever English teachers have ended up in this strange little corner of the city. We stopped in at a Paris Baguette for some coffee and a rest, watching the old woman squatting outside the window as she roasted sweet potatoes. Across the street was the district headquarters for the conservative party, emblazoned with a huge Korean flag that loomed above several fortune-telling shops marked by swastikas. A few blocks on, past more fortune tellers and glimpses of the old city wall at the top of Inwangsan, we came to Muakjae Station, where we boarded the train and headed back to Gangnam.

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Muakje, ending the trip.

The Seoul Subway Randomizer Game

How do you get to know a new place? I was in New York for many years before I finally started exploring the outer boroughs, and I’ve still never been to Canarsie.

Now that I’ve moved to Seoul, I want to jumpstart the process of discovering those out-of-the-way places that aren’t on the usual leisure circuit. What’s out there? The best way to find out is to go. At random. That’s why I’m creating The Seoul Subway Randomizer Game!

  1. Create a list of Seoul subway stations.
  2. Randomize the list.
  3. Go!

 Yes, I will almost certainly wind up with a few disappointing trips to apartment complexes and highway interchanges, but what else might I find?

I’ll let you know.

Rules I: The list

  1. The Seoul Metropolitan Subway System is the largest in the world by track length, if you include all the lines that extend beyond Seoul proper. For the sake of sanity and to avoid three-hour journeys to not-yet-built suburban housing developments, the list of stations will include only those that are actually in Seoul itself. That still leaves 284 stations.
  2. I’ll randomize the list several times, and I’ll select one of the randomizations based on how interesting I think the first five stations will be.
  3. Stations that I have already visited will be skipped.

Result: Here’s the list. Feel free to play along. (I gathered the list of Subway stations from Wikipedia and randomized them using sequences of numbers from Random.org.)

Rules II: The visits

  1. A visit to a given station only counts if I get off the train and go outside, obviously.
  2. The return trip should begin from a different station, or from a bus stop that’s similarly far from the station. That means getting out and walking from one station to another. However, the walking requirement can be called off if the station turns out to be somewhere really unwalkable, like a bunch of train tracks and a bus station or something.
  3. Arrival at a second station counts as a visit to that station as well; it will be removed from the list of future visits.
  4. Visits outside of the game don’t count as part of the game, but they do qualify for taking stations off the list.

Rules III: My game

  1. This is my game. Traveling companions will of course be welcome, but I’ll pick the stations, and a visit counts when I go. You’re welcome to start your own game.
  2. I can skip stations any time and for any reason, because this is for fun.

New Old Korea

Kim So Ra is why I live in Korea.

I discovered her this past Saturday night, after a new friend made a vague invitation to a janggu concert. It was a bitterly cold night, and the concert was in an underdeveloped, industrial section of Seoul called Yeongdeungpo, where the main street is still lined with small machine shops and artificial limb wholesalers. It reminded me of winter excursions to the Lower East Side twenty years ago to see experimental theater productions tucked in between old bra shops. I connected with some friends of friends at a chicken restaurant with an outdoor fire rotisserie and stacks of wood, and then we headed off, eventually finding our way to the Mullae Art Factory Box Theater, a stylish bit of postmodern concrete architecture hidden down an unpromising side street.

I wasn’t expecting much. The theater was small, the audience probably fewer than fifty people, and the theme of the show, “A Sign of Rain,” complete with accompanying video projections, seemed like it might turn into the kind of embarrassing conceit that masks mediocre playing.

But the art scene in Seoul, I’ve discovered, delights more often than it disappoints. Kim So Ra, it turns out, is not only a janggu virtuoso, but also a subtle explorer of world percussion, which she integrated into her playing in startling ways, incorporating everything from pouring water to Tibetan singing bowls (only the xylophone piece fell flat). Her fellow musicians — percussionist Hyeon Seung-hun, O No-eul on piri, Im Ji-hye on gayageum — created a rich, complex range of sounds that put me in mind of the Steve Reich performance I saw at BAM in 2015.

Visual music

Traditional janggu performance is inseparable from the excitement of watching the drummer swing the stick from one side of the hourglass drum to the other, and samulnori music comes fully alive as dance, with colorful costumes and long spinning streamers attached to elaborate hats. Kim So Ra augmented that visual tradition with video projections. At times it felt a little Pink Floyd laser show or nineties screen saver, but at their best, the videos helped to focus our attention on particular details in the music, or brought out themes and feelings, as when the screen behind the stage became a dancing watercolor ink painting, creating a kind of willed synesthesia.

Similarly compelling was a burst of modern dance from Kim Jeong-un, whose expressive face and joyous movement brought the theater to life even before she began spinning plates (which is apparently an old Korean art form that predates Ed Sullivan by some years).

The cleverest effect was a projection onto a white-painted janggu, timed to the rhythm so that drum hits became splashes of water and bursts of color. What could have been a gimmick turned out to be powerful and moving, in no small part because of the general tendency in Korean art to take craft seriously.

More than fusion

That all of this is happening in Seoul, right now at this moment in history, is a big part of why I’m here. Other than Japan, there’s nowhere else in Asia where artists are bringing together traditional and global ideas not as fusion — a flaccid affair that usually means old instruments and shitty synthesizers — but as serious postmodern art.

And right now, I think Korea’s more vibrant than Japan, or at least a lot newer and fresher at this particular game. It’s only in the past few years that young Koreans have started venturing out into the world, but they’ve gone in droves to the art and fashion institutes in the US, and what they’ve brought back with them is starting to take root. Fashion, music, art: Seoul feels like it’s on the cusp of something. Artists like Kim So Ra are why I’m here now, ready to wander off into weird neighborhoods in the freezing cold to see what’s happening.

Giving Thanks

At the end of college, I experienced a great failure of imagination. I was terrified that I would be chained to a desk for the next forty-odd years and that nothing interesting would happen. Of course, life didn’t turn out that way. It’s just that when I looked into the yawning blank future, I didn’t know what to fill it with.

Arriving in Korea is a bit like that. Here I am, living the expat life I’ve been preparing for, in one way or another, since 2003. And now that I have it, I find myself worrying that it will be nothing but what it is right now: get up, go to a corporate job, come home tired, repeat. Is that all there is to living abroad?

An interesting life

Of course, my life is already way more interesting than that. I’m dating, spending time with friends. I’ve thrown a party with eight nationalities in attendance, had Central Asian food in Dongdaemun with a new friend from Kyrgyzstan, seen paintings from the Musee D’Orsay and traditional Korean music performances, wandered the boutiques of Samcheondong with a real actual fashion consultant from Bergdorf’s in Manhattan. Tonight I’ll have Thanksgiving dinner of a sort: I’m throwing a party, and we’ll eat sandwiches made from the sliced turkey I found at the Emart Everyday near my office.

Life will inevitably have its future twists and turns, too, but I don’t know what shape they’ll take yet. I’m new here, so it’s hard to imagine. I did pull myself out of my funk a little bit by making a five-year plan, a habit of my grandfather’s (he got it, presumably, from the socialists he admired in his youth). By my birthday in 2021, I will have enough savings that I can go hang out in a cheap place — e.g., Laos, Phoenix — for more or less as long as I want without worrying about it. I will be fluent in Korean. I will have a long-term residency visa in Korea. And I’ll be married. (For those of you who’ve known me in my bachelor adventurer years, circa 2012-present, that last one might come as a surprise, but yes, I would like to make a long-term connection.)

You know, or not.

All of this is, like everything in life, subject to change. As my father is fond of saying, if something is more than three weeks away, don’t worry about it. You still have to plan, though. It’s just the worrying that you don’t get much value from.

Manager shoes

But you know what really lifted me out of my funk?

Shoes.

I’d noticed that the managers a couple of layers above me weren’t wearing dress shoes. Those, it turns out, are for lower-level guys who are trying to look serious. No, the managers wear what I think of as dress sneakers. And I wanted to start dressing like the managers.

It took me a while to find these shoes. I tramped all over Gangnam, Garosu-gil, Myeongdong, Hapjeong, to no avail. You don’t find them at ABC Mart or Folder, the chain shoe stores you find everywhere. But on Monday night I headed over to COEX Mall, and I found a little shop called Salt & Chocolate, and they had so many amazing shoes that I bought three pairs.

I acknowledge that this is a very Sex and the City way of dealing with existential dread and political despair. It’s not my usual thing. But you know what? It worked. And I’m somewhere very new, figuring out what works. There’s a shallowness to my current condition — an unbearable lightness, if you will — and maybe shallow responses are in order. It’s amazing what new shoes or a good Turkish dinner can do for my state of mind. And it wasn’t just the shoes either. It was finding the shoes: accomplishing a task, an effort of discovery, here in my new home.

Now I just need to figure out how to buy Bactine for the blisters.

Gratitude

Here in Seoul, the first snow is falling. It’s been a hard couple of weeks, but it’s Thanksgiving weekend back home, and it’s good to remember how much I have to be thankful for. I’m watching the snow from inside my warm home that will soon be filled with friends. I have a good job and a loving family and a brand new niece who was born on Halloween and is named Pumpkinella (her parents think her name is something else, but whatever). I have new shoes. I have new challenges to tackle and a new life to make my own. And there’s sliced turkey in the fridge.

Happy Thanksgiving!

The Ultimate Answer

Seoul, South Korea

Today’s my birthday, and this year my age corresponds with the Answer to the Ultimate Question of Life, the Universe, and Everything — an answer that famously lacked a question.

At the moment, that seems about right. I’m in Korea now, living here — my birthday is my first full day here on my work visa — and this seems like the answer to a question that can’t be formulated.

I didn’t ask for Korea to be the answer. It sneaked up on me. And it’s the answer to what, exactly? I don’t know.

“Six by nine. Forty-two.”

Sometimes it doesn’t all add up, but there you are anyway. Today I’m 42 years old (though still 43 in Korean age, like I was yesterday), and I live in Seoul, Korea.

 

 

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Seoul, Korea

I really, really wanted this Engrish to be on purpose, like those PLAN AHEAD signs you see where the ending is all squished. Alas, Designer Miss Kim confirmed that it was just a mistake. In fact, she was selling these notebooks at a discount because they were misprinted. (And let’s not even get into the alright issue.)

Somehow “EVERYTHIG IS ALRIGHT” is both more entertaining and more reassuring than a correctly spelled notebook would have been. Because everything is alright (or all right), even when it’s a little fucked up.

And besides, “EVERYTHIG IS ALRIGHT” is a pretty good approximation of the way I speak Korean.

So, like, hang lose. Purra vida. No wories. Its all good. 괸차나. 다 조아.

Living in Korea

Seoul, South Korea

So here I am, living in Korea. I’ve been here since last week Tuesday evening, which, for those counting, is four nights, three days. (I still have to write about Tokyo and post pictures.)

Already it seems like ages. In this short time, I’ve moved into my summer residence — the same tiny goshiwon where I stayed last summer — started my language program, connected with various friends, gone to Itaewon and Shinchon and Hongdae and Samcheongdong and Bukcheon and done a little shopping, eaten galbi and kalguksu and cheese ramen and bingsu, and attended a cooking class where we made chimdak and haemul pajeon. I’ve done laundry and bought some housewares. I’ve made plans for a big hike tomorrow and to go see apartments with a real estate agent on Monday afternoon.

If it feels like I’ve been here a while, that’s partly because I’ve been here before. This time in Seoul is a continuation of my visits over the past three summers, during which I built up contacts and friendships and familiarity. I have a better mental map of Seoul than I do of Phoenix.

It’s different this time though. I’m saying. Sometimes that has me elated. At other moments it has me terrified. Mostly, though, so far it has relieved a certain pressure I’ve felt on previous trips to fill every moment, to fit it all in. If I have an empty day or evening this time, it’s fine. That happens in real life too.

For the moment, in my tiny little room, I still feel like a traveler. And I suppose I still am, in a way. But by September I’ll have a real home and a real job again for the first time in a long time. And it feels good to be laying the groundwork.

Tokyo, Seoul, Bangkok, Seoul

Phoenix, Arizona, United States

Just a couple of days left in the US, and then it’s on to the next phase of my life.

So here’s what’s next for me:

If you’re paying close attention, you’ll notice that I’ll mostly be in Seoul, or possibly doing a bit of internal travel around Korea. It’s my new home, and while I won’t quite be officially moving there until September 7, it’s where I’m going to be setting up a new life for myself.

I’m excited to see my Korean friends again, and to make new friends there. I’m excited to be staying long enough in one place to build new relationships. I’m excited to have somewhere to call home — my home.

Joining Samsung in Seoul

Yogyakarta, Java, Indonesia

I am thrilled to announce that I’ve accepted an offer from Samsung. Starting in September, I will be working in the Seoul office as a Senior Designer, helping to craft the user interface (UI) text for mobile devices.

Saying no to Samsung

The whole process with Samsung actually began a year ago, when they found me on LinkedIn and began recruiting me. At the time, I was still at Google, but I was nearing the end of my MA in Korean studies at Columbia and already planning a move to Seoul in the future. I went through the interview process, they made an offer. And I declined.

It wasn’t the right time. Yes, I wanted to move to Korea, but I had also been planning these six months in Southeast Asia for a long time. When I get to Korea, I want to settle there — to make it my long-term home. I didn’t want to find myself staring out the office window, wondering when I’d ever get the chance to go on this trip I’d been thinking about for so long.

I talked to my family about my decision, and my father passed on some words of wisdom from my grandfather, his father-in-law: “Money comes and goes, but you can’t make up time.” I went on the trip. I figured that if Samsung didn’t want me in a year, someone else would. I’d manage in Korea just fine.

Saying yes to Samsung

Well, a year passed, and the recruiter got back in touch. And this time, I was ready to say yes. After my longest stretch of time off since before nursery school, I’m ready to go back to work.

And I’m excited to work on mobile devices. My time here in Southeast Asia has given me a look at a part of the world where mobile is how people connect to the Internet, to each other, to the wider world. I’ve seen how important these devices are, and how important it can be to get the design right so that people can use their devices to the fullest.

My writing at Google was on specialized ads software. It reached thousands. What I do at Samsung will reach millions. Samsung sells more smartphones worldwide than anyone else. Making these phones even marginally better to use can have a vast impact.

I can’t wait.

 

 

End-of-term Speech

Today I delivered a short speech in Korean as part of the closing ceremony for my monthlong Korean language program at Hankuk University of Foreign Studies, on what has turned out to be my speaking tour of Asia. The speech was a hit with the teachers and staff, as well as with my classmates, all of whom were amused by how much of our new grammar I managed to work in.

As for the lower-level students, they were just confused — as I was confused by the opening speech by, well, someone — not sure who — who spoke in rapid, low-toned Korean for several minutes. It’s true what Psy said: “뛰는 놈 그 위에 나는 놈” (“Wherever there’s a running man, there’s a flying man above,” a proverb that more or less means that no matter how good you are at something, there’s always someone better). But I suppose I could also make the claim now that “Baby baby 나는 뭘 좀 아는 놈” (“I’m a guy who knows a little something”).

Below you can find the text of the speech in full, errors and all. (I assume there are errors.) Have fun running it through Google Translate, which makes a hash of what I intended to say, but which might actually capture the muddled flavor of my Korean.

안녕하십니까 여러분. 나는 미국에서 온 조쉬입니다.

벌써 한 달 진났습니다. 레벨 테스트를 봤습니다. 친절한 선생님을 만났습니다. 문법을 많이 배웠습니다. 발표 했습니다. 한 달 동안 우리 다 열심히 공부했습니다.

자, 사실에 보통 열심히 공부하지만 가끔도 궁부하는 동 마는 동 하면서 열심히 공부 한 적 했습니다. 어차피 한국어를 조금 배울 수 밖에 없다고 생각합니다.

그렇게 공부 할 만 했습니다. 하지만 공부 한 김에 더 중요한 것 교실 밖에 했습니다. 외데에 오면 세상을 만나다더니 한 달 후에 사실이라고 압니다. 일본, 러시아, 대만, 미국, 프랑스, 스페인, 영국, 독일 등 친구를 만들었습니다. 함게 같이 전통 음악 치고 Kpop 춤 추고 빳빙수 너무 많이 먹었습니다. 정말 한국 문화를 많이 즐거웠습니다.

우리 새로운 친구들을 그리울 겁니다. 하지만 너무 슬플 리가 없습니다. 세상에 어딘가 외대 친구가 만나면 기분이 좋겠습니다. 그리고 또 다시 한국에서 만나기 바랍니다.

감사합니다.