[weekly world music 10: asian classical mp3 home page]

Tep Monorom Dance by The National Dance Company of Cambodia (Homrong)

Fei Fei Shih Shih (Rainy Weather) by Unknown Folk Musicians of Amoy

Sapta Murti by Kertha Jaya of Abianbase, Gianyar

Via the invaluable SoundRoots, I get to share with you the Asian Classical MP3 Home Page, a rich archive of traditional music from East, Southeast and South Asia.

The music is all either used with permission or else hopelessly out of print, and TACMP3HP does a good job of documenting it with the resources available, so I don’t have to. Let me just note that Amoy (now called Xiamen) is a port city on the southeastern coast of China, while the third track is Indonesian. Oh, and when it comes to that last track, I quote TACMP3HP when I advise you to “catch the quote from the 1812 Overture in ‘Sapta Murti’!”

[weekly world music 10: Vout]

Topic: Music

Boot-Ta-La-Za | Vol Vist du Gaily Star | Chinatown My Chinatown | Puerto Vootie | Matzoh Balls by Slim Gaillard (Laughing in Rhythm)Today we take an unusual direction for Weekly World Music, focusing on an American artist working in an American idiom — jazz. What makes this in some sense world music is Slim Gaillard’s extraordinary interest in and affection for the linguistic bouillabaisse of mid-20th-century America, especially in his adopted homes of New York and Los Angeles.

Gaillard, born in Detroit to Cuban parents, was a talented guitarist and boogie-woogie pianist who mixed easily with swing and be-bop musicians, and some of his most famous recordings include Charlie Parker and Dizzy Gillespie. But what he was really known for was his loopy vocal style, built around jive talk, an invented language called Vout, and snatches of the various foreign languages that would have formed the background noise of his life. (There is also an obsession with food, which along with his vocal approach and general attitude suggest he was stoned out of his gourd an awful lot.)

Of course, dialect records (1, 2) were nothing new, but Gaillard’s approach strikes me as at once more affectionate and more interpretive than usual. Rather than making fun of an accent or language, Gaillard swallows its sounds and transmogrifies them into his own unique product.

“Boot-Ta-La-Za” seems to be some kind of Middle Eastern number, while “Vol Vist du Gaily Star” obviously takes off from Yiddish vaudeville. In “Chinatown My Chinatown” — about a part of town where black people would’ve been relatively welcome — Gaillard spits some extraordinary fake Chinese. “Puerto Vootie” involves a similar blast of fake Spanish, set to a convincing Carribean rhythm. And what better way to end than with “Matzoh Balls,” a paean to Jewish cuisine? Plus, he gives sensible instructions on how to eat gefilte fish: “Now you put a little horseraddish on it and make it very mellow.” The man knows his stuff.

Bonus: Slim Gaillard makes an appearance in Jack Kerouac’s On the Road, which you can read here.

[back from the adirondacks]

Topic: Personal

Well, I’m back from the big wedding in what New Yorkers call the mountains, and it was a blast. Much drunken revelry, much eating, much joy, and of course a couple of people ended up married. My friend Robert is working up a much longer account, which hopefully he’ll post here soon.

[hot fun in the summertime]

Topic: Around Town

New Yorkers know that summer is a time of free concerts in our glorious parks, and this year looks to continue the grand tradition in style. The Central Park Summerstage and Celebrate Brooklyn schedules are out, and here are a few highlights.

Central Park Summerstage:

Sunday, June 25: Feist with Buck 65
Feist is a clever singer-songwriter, while Buck 65 is a weird amalgam of country, hip-hop and straight-up weirdness — he has a rap about being a centaur.

Saturday, July 1: Noche Flamenca, Roxanne Butterfly’s Worldbeats
We saw Noche Flamenca at a big world music festival about a year ago, and they were outstanding. Some of the most compelling, graceful, forceful dancing I’ve ever seen.

Sunday, July 30: Lady Sovereign, Pete Rock, Jean Grae, Curated by DJ Rekha
Okay, so here’s our chance to see pint-sized UK grime sensation SOV in person, plus DJ Rekha of Basement Bhangra fame is involved, which cranks up the cool factor significantly.

Celebrate Brooklyn in Prospect Park:

Thursday, June 15: Maceo Parker
The man who gave James Brown his funkiest sound. What more need be said?

Friday, July 14: Brooklyn Philharmonic

And don’t forget that it’s also the season for the New York Philharmonic in the Park series.

Now go shake that booty!

[all quiet on the palaverist front]

Topic: Personal

It has gone a bit quiet here at the Palaverist, and it will probably remain so into next week. Weekly World Music is on hiatus until then. The reason? I will be attending the McKleinfeld wedding — the marriage of our good friends Daniel Kleinfeld and Sally McGuire, which will be taking place at a weekend-long extravaganza up in the Adirondacks, and for which Jenny has been the principal planner. So there’s lots of last-minute wedding stuff to attend to, leaving less time than usual for bloggeriffic ramblings.

[al gore for president]

Topic: Politics

Forget everything you know about polls and fundraising, about motivating the base, about political viability, campaign counterattacks and the New Hampshire primary. When I ask myself not who can win the white house, but who I want running the country, I come up with one answer: Al Gore.

Way back in 1992, I remember wishing that the ticket were reversed. Bill Clinton seemed like a great guy, but he was untested on the national stage, never more than the governor of a backwater state. Al Gore was talking about things that mattered to me — the environment, for one, which I thought then and still believe is the single greatest issue facing humanity. He was an experienced and distinguished senator who was thoroughly uncorrupt. I wanted him to be my president.

Over eight years as vice president, the dirtiest thing Al Gore did was make some fundraising phonecalls from his office rather than from another location — paltry even by the standard of scandals in the 1990s, much less the present era of corruption and mismanagement. The worst thing he did was run a lackluster campaign for president, too beholden to consultants, too unwilling to speak honestly and openly.

Al Gore seems to have learned from that mistake. I haven’t seen his new movie, but I did catch him on Saturday Night Live, and I’ve read about some of the things he’s been saying. He opposed the Iraq War at a time when few Democrats were willing to stand up for what they believed in, and he is speaking loudly about the dangerous, pressing crisis that is global warming. He’s intelligent, ethical, decent and in favor of the right things.

Yes, he can be a pedant, insistent on getting the details right and grasping the whole picture. And I so want my country run that way! The slipshod, haphazard half-assedness of the Bush administration has been deadly, costly, destructive and morally depraved. I want my country led by a man who likes all his ducks in a row and would prefer that they not go extinct. I want Al Gore to be my president.

[korea makes the hrc]

Topic: United Nations

At the elections yesterday for the new UN Human Rights Council, South Korea was one of the 44 countries selected.

There is some controversy over the inclusion of habitual rights-violators China, Cuba, Pakistan, Russia, Saudi Arabia and Azerbaijan in the new Council, particularly since the Council was intended to replace the Commission on Human Rights, which lost credibility for including countries with poor human rights records. The election of the six troubling countries to some extent justifies American concerns that the new Council fails to resolve the problems it was meant to fix, though it doesn’t justify America’s sitting on the sidelines throughout the negotiation process and jumping in only at the end to condemn the results.

Nevertheless, I know that a number of people at the Korean Mission worked quite hard to get South Korea elected, so the election must be happy news for them.

[the return of the walled cop]

Topic: Culture

One of the pleasures of foreign travel is learning the sports of other countries. I learned cricket in India — it’s a good game, really — and in Ireland I discovered hurling, a sport in which it is still possible to swing a long wooden stick into the unhelmeted side of a man’s head.

But it was in Korea that we had our most intense exposure to a foreign sport. Our stay coincided with the 2002 FIFA World Cup, co-hosted in Japan and South Korea, in which the Korean team exceeded all expectations and survived to the quarter-finals, coming in a respectable fourth place. At the time, I wrote about the powerful emotions that the World Cup unleashed and the strangeness of Korea’s attempts to play host to the world.

Now the World Cup is back again, and a gorgeous series of Nike ads (via Slate) serves as a reminder of the beauty inherent in the game itself.

It’s a truism that Americans have never warmed to soccer, and perhaps we never will. It’s true that there can be 45 minutes of nothing happening, which can be pretty dull to watch. Unless you care who wins. And that’s the secret. If you couldn’t give a shit whether Ukraine beats Tunisia to make it out of the first round, then watching the two teams toss the ball around listlessly for an hour while the score stays 0-0 will understandably be duller than televised bowling. But if Ukraine’s fate is important enough to you that you will cry if they lose, that hour of stalling takes on the emotional intensity of an hour spent stalling Krushchev during the Cuban Missile Crisis: What are they doing? When will they strike? Are the Tunisians gearing up for an attack, or are they just weakening? Oh, God! WHAT’S GOING TO HAPPEN?

At the moment, I can’t see America mustering that kind of passion about an international contest we’re unlikely to win. We can barely stay focused on the Olympics these days. Since the fall of the Soviet Union, our international rivalries have been reduced to feuds with warlords, gangsters and smalltime Oriental despots who know how to enrich uranium. The real passion will be in the countries that love soccer, like Brazil and Germany, who met in the 2002 final (Brazil won), and in countries like Korea, where simply playing in the Big Leagues is still cause enough for a burst of national pride.

Even so, I encourage you to watch a few of the games, and if possible, to follow the flow of the tournament. All the games will be broadcast in the US, on ABC, ESPN and ESPN2 (here’s the schedule). Give it a shot. Root for Korea, if that helps. Maybe bet a little. And then maybe, just maybe, you’ll be able to enjoy the exquisite agony of nothing happening on a football pitch.

[weekly world music 9: cinco de mayo]

Topic: Music

Hey Boy by Las 3 Divas (Las 3 Divas)

Nuestro Himno by Various Artists

World music blogs are few and far between, so I’m happy to have discovered SoundRoots, which today has some Mexican music up in honor of Cinco de Mayo.

Considering our current immigration kerfuffle in this country, I thought I’d focus on Mexican-American music. We begin with a peppy little Tex-Mex number, in English and Spanish, by Los 3 Divas. And then we’ve got the song that won’t be on Dubya’s iPod, “Nuestro Himno.”

There’s been a ridiculous amount of focus on this pleasant Spanish rendition of our terrible, terrible national anthem (which should really be changed to “America the Beautiful”) by a bunch of pop stars. “Nuestro Himno” is to the immigration debate as Jessica Lynch is to the discussion of the Iraq War. Nevertheless, it’s an interesting little artifact and not a bad listen.

Bonus World Music: Abayudaya

Hinei Ma Tov | Deuteronomy 32:39-43 by Various Artists (Abayudaya: Music From The Jewish People Of Uganda)

Anyone who went to Hebrew school or a Jewish summer camp knows the song “Hinei Ma Tov (הִנֵה מָה-טוֹב) (Psalm 133), but you’ve probably never heard it like this. That’s because this version is performed by the Abayudaya, a small community of Luganda-speaking Ugandans who adopted Judaism in 1919. Though they are not ethnically related to other Jews and haven’t been adopted into any existing Jewish community, they have taken on the obligations of kashrus, shabbos and circumcision, so I’m not sure whether they would be considered Jewish according to Halakha. In any case, their music is a curious hybrid of Hebrew scripture with African sounds.