[why we fight]

The outbreak of war in Lebanon got me to wondering about the roots of the modern Middle East and its conflicts. Sitting on our bookshelf was A Peace to End All Peace: The Fall of the Ottoman Empire and the Creation of the Modern Middle East, by David Fromkin, which Jenny had thought was quite good.

So I started in on that, but I hadn’t gotten very far before I realized that in order to understand it, I would need a clearer sense of what World War I was all about. So I backtracked to John Keegan’s The First World War. As one might expect from a historian of warfare, The First World War is very much a military history, with a fair description of the political crisis that precipitated the calamity and a great deal to say about specific battles and tactics. But any military study of World War I inevitably leads one to ask deep and difficult questions about the nature of warfare itself, not to mention questions about the political and social motivations behind this particular war. The Germans intended to take Paris and the French Berlin, but what did they hope to do when they got there? Why were societies willing to mobilize such massive armies to fight with tactics that were understood at the outset to involve massive casualties? Why were men willing to advance in ordered ranks under shelling and machine-gun fire that spelled certain death? Why did none of the armies pull back from the stalemated front lines to fight a guerrilla war? Why did everyone agree to show up and play by the spectacularly murderous yet orderly rules established by Clausewitz in On War? There seemed to be a great deal Keegan was leaving unsaid.

This is presumably because his answers to these larger questions can be found in his masterwork, A History of Warfare, a trenchant exploration of the roots and ritualizations that have characterized war throughout history. A sustained criticism of Clausewitz, the book argues that war is usually fought by tactics that are dictated as much by cultural preference as by any absolute material aims. Military culture, Keenan suggests, ossifies at the moment of its greatest glory and is extremely resistant to change, which helps explain why Mameluke horsemen continued to confront riflery long after such attacks were proved futile, why the Ottoman Empire had such a difficult time adjusting to the military imperatives of modern Europe, and why the United States continues to send armored divisions against every enemy, from Communist-tainted jungle hamlets to Branch Davidian compounds to insurgent-permeated Iraqi cities.

Keegan also makes the point that every sort of war — 20th-century Clausewitzian massive wars, Maoist “protracted” wars involving forced politicization of civilians, the primitive warfare of the Yanomamo — is incredibly brutal and loathed by most of its participants. Protracted war, moreover, though often successful on its own terms — Mao, Tito and Ho Chi Minh did take power eventually, and the ongoing terrorist struggles in the Middle East have certainly strengthened the hands of men like Nasrallah — they do so at an extraordinary cost in civilian deaths and typically for the purpose of installing a repressive regime that quickly succumbs to rampant corruption.

The news of late reinforces the sense that war is inevitable and getting worse, but that turns out to be false. In an enlightening and encouraging article for Science and Spirit, science writer John Horgan presents this arresting statistic:

Hard as it may be to believe, humanity as a whole has become much less violent than it used to be. Despite the massive slaughter that resulted from World Wars I and II, the rate of violent death for males in North America and Europe during the twentieth century was one percent. Worldwide, about 100 million men, women, and children died from warrelated [sic] causes, including disease and famine, in the last century. The total would have been 2 billion if our rates of violence had been as high as in the average primitive society.

This calculation is so counterintuitive because in primitive societies, warfare rarely results in more than one or two casualties at a time, whereas modern wars can reduce whole cities in an instant. But the populations involved in modern war (and peace) are also drastically larger, and relatively few countries have face more than two or three high-casualty wars in a century, whereas many primitive societies are in a state of endemic tit-for-tat warfare.

I’m not sure how encouraging all this is for the Lebanese or Iraqis at the moment, but I am coming to the view that while war has been with us throughout history, its forms and purposes are widely varied and amenable to adjustment, even to elimination. Keegan reminds us that until quite recently, slavery, infanticide, dueling and cannibalism were all also practices that had remained a part of human culture since the dawn of our existence, but they have largely been eliminated. Of course, I don’t think war will be eliminated easily or soon. But is it possible? In theory at least, I would have to say yes.

[breaking the glass ceiling]

Indra K. NooyiPepsiCo has named a woman CEO: Indra K. Nooyi, an Indian-American who was born in Chennai (then Madras) and educated at Indian universities before graduating from the Yale School of Management.

Nooyi joins 12 other female CEOs of Fortune 500 companies. This low rate of representation for women at the highest levels of American business suggests that the glass ceiling is still a concern. Still, Nooyi’s promotion is perhaps a sign of change. Keeping in mind that people don’t typically become CEO until well into their careers, and that women only started entering the workforce in great numbers perhaps 25 years ago, we may still be in the early stages of transition in the upper echelons of the business world. After all, people of my generation, still in their thirties, are the first to have spent their entire professional lives in environments regulated by sexual harrassment laws. When people born in the 1970s are old enough to be CEOs of Fortune 500, I expect to see a higher percentage of women in top executive positions, if not total gender equality.

[two years]

Permanent Mission BuildingThe I.M. Pei-designed South Korean Mission on East 45th Street.

I sort of missed it as it went by, but July 27 marked two years for me at the Permanent Mission of the Republic of Korea to the United Nations. This is the longest I’ve stayed at any job except for DoubleClick, which lasted three long years.

But it hasn’t seemed that long, presumably because I really enjoy being here. By two years in at DoubleClick, I’d gone through a fairly disastrous opening period and suffered through my boss Karen’s pregnancy leave, during which her second-in-command hewed strictly to her orders that I do no work except editing — which was a problem because there was, during that period, no editing to be done — and then, upon her return, confronted me with threats of imminent dismissal because I hadn’t been doing any work. Things turned around in my last year, when I finally got my own ego in check and learned how to behave decently in an office, while my boss finally worked out how to run a writing department (useful tip: request writing samples from job candidates). I suppose the whole transformative experience of DoubleClick, which was my first serious job out of school, made it seem longer than it was.

In any case, that’s now far in the past. Apparently speechwriters don’t usually last long here at the Mission, so I may be headed for veteran status fairly soon.

[concerned with your size and hardness?]

Fascinating copy from a spam email I received:

Concerned with your size and hardness? Study this, here’s the answer!

A gift given in secret soothes anger, and a bribe concealed in the cloak pacifies great wrath. God gives every bird its food, but does not always drop it into the nest. A creaking door hangs longest.

Indeed.

[a lack of palaver]

Okay, so I admit it’s been quiet around here lately. Partly that’s the summer doldrums — who can write when it’s five thousand degrees out? — and partly it’s that I have actually been pretty busy.

For one thing, I’ve been trying to get ahead on my Korean studies, because I will inevitably fall behind this fall when the General Assembly committees get going and actual work briefly becomes my primary activity at the office.

And then there’s the help I’ve been giving to Steve Harrison’s Congressional campaign. This week I wrote a Social Security speech that he’s delivering today, as well as a 60-second fundraising spot that will run nationally on AirAmerica, which is giving discount air time to candidates. I’ll be sure to post the speech and the spot once I get final versions, and hopefully I’ll get to find out when the ad is running and post the times as well.

[new beck songs]

BeckThink I’m in Love | Cell Phone’s Dead by Beck

Beck has a new album on the way, this one produced by Nigel Godrich, who also did Mutations and Sea Change. Two new tracks, complicatedly leaked and then retracted by Beck.com and Beck’s MySpace page, give a sense of what we’re in for.

Despite advance word that this was going to be a hip-hop album, the first leaked track, “Think I’m in Love,” is anything but. A melodic, mid-tempo love song of sorts, with spare production that sounds possibly incomplete, “Think I’m in Love” picks up where Sea Change left off: with a fragile psyche working its way back from a horrendous breakup. It’s pleasant enough, but I don’t think it’d make me turn my head if I didn’t know it was by Beck.

“Cell Phone’s Dead” is another matter entirely, reaching back to Beck’s old abstract raps over eclectic soundscapes. The funky bassline sounds like a sample from Herbie Hancock’s “Wiggle-Waggle,” off the Fat Albert Rotunda album, over which echoey percussion rattles around as Beck raps. But then comes the jungle break, full of lush sounds and hoots, so that the track is like a conceptual mashup of “Hell Yes” and “Nobody’s Fault but My Own,” with a pinch of Odelay jitters thrown in. Let’s hope the whole new album is this sonically interesting.

[blogging the secretary-general]

UNSG.org is an intelligent Canadian blog on the selection process for the next UN Secretary-General. The latest post has some trenchant tea-leaf reading regarding last week’s straw poll. The blogger’s inside sources suggest that the lone “discourage” vote for South Korean Foreign Minister Ban Ki-moon, rather than coming from Japan or China, came from the United States, which may have simply voted “discourage” for all four candidates.

This is made more plausible by US Ambassador John Bolton’s bizarre recent comment describing “the ideal candidate as a proletarian — somebody who will work in the system, who will get his fingernails dirty or her fingernails dirty, and really manage the place, which is what it needs.” I love it when neocons pull out the Communist rhetoric. It makes me feel so deliciously dirty!

Seriously, though, this seems to be an attempt both to discredit the current candidates and to suggest that the new Secretary-General should be an anonymous nobody, to be treated with all the respect neocons generally accord to the proletariat. Or perhaps it’s just part of the Bush administration’s overall contempt for expertise, qualifications or demonstrations of competence — starting, of course, from the decidedly mediocre top man, and extending to people like Paul Bremmer, Michael Brown, Michael Chertoff, Harriet Miers, and of course Bolton himself.

[good news for dems]

Moveon.org sent out an email today touting an exciting NPR poll that shows the Democrats as likely winners overall in the 50 closest House races.

Unlike most polls, this one didn’t just call likely voters nationwide and try to extrapolate. Instead, the pollsters talked to likely voters in the 50 most competitive districts. Nine of them are held by Democrats, 40 by Republicans, with one independent, and they went for the GOP by 12 points in 2004.

At the moment though, a mere 29 percent of likely voters say they will probably or definitely vote for the incumbent, while 46 percent say they’ll probably or definitely vote for someone else. When a generic Democrat and Republican are posited, the overall result is 48 percent to 41 percent in favor of the Dems; when actual names of candidates are used, this shifts only slightly, to a 49-43 split. (Keep in mind that this is in districts that went Republican by 12 points in 2004, well to the right of the national average.) Breaking it down even further, the poll found that in the “competitive” districts currently held by Democrats, the incumbent party holds a whopping 60-29 lead, while in the Republican-held districts, the Dems still hold a lead of 49 percent to 45 percent, a bit past the 3.2 percent margin of error.

The results on specific issues are also pretty interesting. Most startling is the discovery that on “values issues, like stem cell research, flag buring and gay marriage,” the Democrats have an 14-point lead, which jumps to 18 points when the question is just on stem cells. So far, at least, the Republican wedge issues aren’t getting any traction.

It’s a long way to the November election, but this poll doesn’t bode well for the GOP.

[watching the walls]

This past weekend, Jenny and I made a purchase we’d been researching and planning for some time: we bought a video projector, the Sharp XR-10X. Gone is the small flickering tube, a mere 18 inches across diagonally. Replacing it is our flickering living room wall, or rather a flickering expanse of it that’s about 100 inches diagonally, or 80 inches from one side to the other.

It’s a helluva way to watch the Simpsons.

The new projector isn’t perfect. For the moment, we have an s-video cable snaking its way across the room, but that means the picture quality is a little off: you can see flicker lines gradually scrolling up the screen, and sometimes quick motion is a little glitchy and pixelated. Hopefully this can be corrected by switching to component video cable, but that’ll mean calling Time Warner and bugging them to get me a cable box with a component-video output.

But even with the extant flaws, it sure beats the old cathode rays, especially for Jenny, whose distance vision isn’t great. Even with a fair amount of ambient light, the image is clear, and somehow the mind is willing to believe that a patch of white wall in a lighted room is black if the surrounding area is flooded with brighter light. There’s a bit of the window-screen effect from visible pixels, but I have to pause the video to see it clearly, and it’s actually kind of useful for making sure the focus is right. The sound of the fan in the machine is far less intrusive than the air conditioner across the room. And at the rate we watch TV, the lamp should last us at least a couple of years.

Now I just need to get a hold of some quality ambient films to show at parties. Fluxus films? Warhol screen tests? Fillmore-style psychedelic light shows? Daniel, I’m counting on you to have some kind of Russian avant garde something-or-other that gives good background.

[all the pieces of a language]

When you start to learn a language with the intention of really understanding it deeply, you quickly discover that there are many more aspects than the few taught by formal pedagogy. Most teaching systems will give you the writing system, grammar, standard vocabulary and a certain amount of listening comprehension. Beyond that, everyone wants to learn the slang and dirty words, which are rarely included in Beginning I textbooks.

But languages have further corners and byways, and one that is often overlooked is the handwriting of ordinary folks. In America, kids are drilled (or at least were when I was young) in cursive writing, which is disappointingly free of any curse words, but which is helpful when you’re trying to scrawl notes fast enough to keep up with someone speaking.

Korean has its own cursive writing, but unfortunately I’ve been unable to track down any books on the subject. As it is, my Korean handwriting is slow and laborious and earns compliments from people here in the office for its tidiness — like a second-grader’s, basically. In an effort to change that, I downloaded some Korean handwriting fonts and have been attempting to parse and apply them.

For now, I’m stuck with a bit of a hybrid style, one that allows my writing to flow more easily, but that doesn’t change the shapes of the letters so much that I can’t read them easily. After all, part of what makes a morass of loops identifiable as a word in English is our ready knowledge of English vocabulary and grammar, and even then, we regularly find ourselves squinting at scribbles as we try to decide whether that’s answer or cursives.